Ukraine Unbroken: A Theatrical Reflection on War
Nicolas Kent’s vision for a series of impactful short plays centered on the war in Ukraine draws inspiration from his 2009 drama cycle on Afghanistan’s colonial past, which was also staged amid conflict. Titled Ukraine Unbroken, this collection is a more focused endeavor, consisting of five powerful plays that unfold a gripping narrative, revealing both horror and resilience throughout the performance.
The Opening Acts
The initial two plays set the stage with a historical perspective, offering clarity on the chaotic Russian invasion of 2022 and its aftermath while exposing deeper historical grievances.
Always
Written by Jonathan Myerson, Always features a politician, portrayed by David Michaels, and his wife, played by Sally Giles, who find themselves trapped in a hotel room with gunfire echoing outside as a crowd gathers in Kyiv. This piece poignantly captures the spirit of the Maidan Uprising of 2013-14, providing context to ongoing protests and civil movements.
Five Day War
In Five Day War, David Edgar explores the deadly aspirations of Russian colonialism. The play dramatizes the buildup to what is envisioned as a Russian victory, including satirical press conferences, one of which speculates on the death of President Zelenskyy. While innovative in its approach, this work may feel less accessible compared to the subsequent plays.
Personal Stories Amidst Chaos
Three Mates
Natalka Vorozhbyt’s Three Mates tells the intense monologue of a Ukrainian insomniac, portrayed by Ian Bonar, who is evading conscription while hiding from the onslaught of rockets and bombs. As he reflects on his life as a conservatoire student, thoughts of two musician friends fighting on the frontlines and the absence of his wife, depicted hauntingly by Jade Williams, surface. This character’s desperate, self-deprecating humor highlights his internal struggle with an unavoidable fate.
Wretched Things
David Greig’s Wretched Things plunges the audience into a moral quandary faced by three weary Ukrainian soldiers holed up in a deserted school. They encounter an injured North Korean soldier battling for Russia; their decision to either save themselves or help this dying man unfolds amidst the chaos of gunfire.
Taken
The final piece, Taken, by Cat Goscovitch, chronicles a Ukrainian mother, played by Williams, desperately searching for her 12-year-old daughter, abducted by Russian forces during the siege of Mariupol—a tragic reality for an estimated 20,000 children since 2022. This emotionally charged narrative is marked by a profound absence of closure, underscoring the ongoing trauma stemming from the conflict. Moments of normalcy, like the sound of skylarks or birthday celebrations, briefly punctuate this harrowing experience.
Artistic Direction and Musical Framework
Four of the plays are under Kent’s direction, with Three Mates directed by Victoria Gartner. The entire evening is woven together by Mariia Petrovska, who, with her bandura—Ukraine’s national instrument—provides a haunting musical score and captivating storytelling that frame the entire performance.
Thematic Significance
This production emphasizes the crucial role of theatre in making sense of complex realities and histories. It not only illuminates present circumstances by dramatizing the past but also prompts reflection on the broader implications of colonial histories, especially in light of ongoing global conflicts, including those in the Middle East.
Conclusion
Ukraine Unbroken serves not only as a cinematic exploration of a nation at war but also as a powerful reminder of the enduring human spirit amidst adversity.
- Nicolas Kent adapts his successful approach to recount the war in Ukraine.
- The series features five poignant plays that explore historical and personal narratives.
- Strong performances highlight the ethical dilemmas faced by individuals during conflict.
- Theatre is presented as a vital medium for understanding and processing current events.